UCCELLO, Paolo

Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco


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UCCELLO, Paolo The Battle of San Romano oil


The Battle of San Romano
Painting ID::  33253
The Battle of San Romano
mk83 c.1456 tempera on wood 182x323cm
mk83 c.1456 tempera_on_wood 182x323cm
   
   
     

UCCELLO, Paolo St George and the Dragon oil


St George and the Dragon
Painting ID::  33375
St George and the Dragon
mk86 c.1455 Tempera on canvas 57x74cm London,National Gallery
   
   
     

UCCELLO, Paolo Battle of San Romano oil


Battle of San Romano
Painting ID::  33376
Battle of San Romano
mk86 c.1456 Tempera on wood 182x317cm London,National Gallery
   
   
     

UCCELLO, Paolo Battle of San Romano oil


Battle of San Romano
Painting ID::  33377
Battle of San Romano
mk86 c.1456 Tempera on wood 182x323cm Florence,Galleria degli Uffizi
   
   
     

UCCELLO, Paolo Battle of San Roman oil


Battle of San Roman
Painting ID::  33378
Battle of San Roman
mk86 c.1456 Tempera on wood 180x316cm paris,Musee National du Louvre
   
   
     

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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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